Sunday, February 18, 2007

Kecak lessons


We have been learning the Cak, also known as Kecak or Monkey Chant, an interlocking chant usually performed by large groups of men wearing sarongs, and holding torches. It's been heard on a number of CD's as part of dance mixes of late.

Our teachers are a group of men from the village of Mas--each of them holds down a part (there are from 5 - 7 parts depending on the kind of cak.)

We each sit in front of one of the guys and try to learn their part, then to do it all together and see if we can get the parts to interlock. When it locks in, it sounds great, like a group of percussionists jamming away; when we don't lock in, it sounds like noise. Then we each move to the next guy and try to learn his part. They are very patient with us!!

There are body moves as well, plus melodic sections with strange words and gestures. The kecak is strictly a tourist spectacle, often performed with pieces of the Ramayana. It may have begun as a sacred trance chant sung by both men and women in the early 20th century, but the Dutch artist Walter Spies, who was greatly influential in developing Bali's performing arts to a level that would attract tourism, made the early versions of what we see today, helped by a modern dancer.

Kecak is very exciting to hear and to watch, and a lot of fun to do.

We spent our weekend in North Bali, where the coastline has long, unbroken stretches where there are only a few resorts, no high-rise hotels, and fewer tourists. More on that next post...........

1 comment:

John Achorn said...

Joan -
Thanks for letting me know of this blog... I'm living vicariously through your adventures of the times I was there 37 years ago. I remember Mas vividly - it was a little out of the way but well-known village with nothing but dirt roads... we saw a wonderful ketjak performance there that still remains striking in my memory to this day. No electricity there back then... just the ubiquitous Coleman lanterns... it felt like we were sitting around a campfire... those voices! Piercing the night! The narrative singer laeding us into a story from the Mahabarahta -- it is/was the essence of theatre to me - this essential form of chorus, narrator and mime. I couold so easily see how the Greek theatre was a similar development. Thanks again for sharing your Balinese expedition!
ciao
John